Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Monday, September 24

Two-Step

Two-Step – a Boolean Comedrama

by Jacques Jouet & Olivier Salon
translated by Emma Ramadan & Chris Clarke

33 pages, paper

cover image is from "Thread," a Coptic textile in the public domain

Toad Press, 2018. $5.00

You can purchase a copy of Two-Step here.


Two-Step is a "simultaneous play" written in 2003 as a collaboration between Oulipo members Jacques Jouet and Olivier Salon. It takes the form of two different plays set in two different eras, both of which share a character during several acts. This character's replies use homographic "hinge" words, allowing his responses to signify something different to either storyline.

We translated Two-Step in communication with Messrs. Jouet and Salon, doing our best to replicate their writing process in our translation process. This had us working across the table from each other for certain sections, apart for others, and exchanging one reply at a time by email for another, all between spring 2016 and summer 2017.


& Chris Clarke 


"It's clever dramatic fun", writes Michael Orthofer, over at The Complete Review

Saturday, August 29

The Baden-Baden Lesson Play on Acquiscence

THE BADEN-BADEN LESSON PLAY ON ACQUIESCENCE by Bertolt Brecht translated from the German by Justin Vicari 27 pages, paper, staple bound. Cover photo by Brett Hendricks. Toad Press, 2009, $5.00
You can purchase a copy of The Baden-Baden Lesson Play on Aquiescence here & add this book to your Goodreads list, here.
About: One of the most influential playwrights of the 20th century, BERTOLT BRECHT was born in Augsburg, Germany, in 1898. He conceived a style called Epic Theater, using didactic placards, songs, slogans, projections, masks, and other devices to engage the audience in thinking about his increasingly political subject matter. In 1927, he collaborated with composer Kurt Weill on The Threepenny Opera. Extremely popular, the work was both harshly cynical and oddly romantic, with distinct undercurrents of anti-capitalist satire. In 1933, Brecht left Nazi Germany and moved to Paris, where he and Weill staged their final collaboration, The Seven Deadly Sins. Brecht soon emigrated to Los Angeles to work as a screenwriter, but he was largely unsuccessful and summarized his Hollywood years in a short poem: “Every morning, to earn my bread, / I go to the market where lies are bought and sold. / I take my place among the sellers.” Nevertheless, he wrote some of his best plays during his period of exile, including Mother Courage and Her Children and Galileo. After being targeted by the House Un-American Activities Committee in 1947, Brecht chose to return to East Berlin, where he continued to write and stage plays until his death in 1956. Excerpt: .